1. Overview
5
1.1. Front Panel
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1.1.1. Left Side
5
1.1.2. Right Side
6
1.1.3. The Matrix Panel
6
1.2. Rear Panel
7
1.2.1. Connections
7
1.3. About This Manual
8
2. Polybrute Basics
9
2.1. User Interface
9
2.2. Master Controls
9
2.3. Auto-Tune Polybrute
10
2.4. What Is Digitally-Controlled Analog?
10
2.5. Load A Preset
11
2.6. Try This!
12
2.6.1. Sweep The Filters
12
2.6.2. Start The Arpeggiator
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2.6.3. Move Morph From A To B
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3. Create A Patch
13
3.1. Subtractive Synthesis
13
3.2. Create A New Patch
14
3.2.1. Initialize The Patch
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3.2.2. Vco 1
15
3.2.3. Vcf 1 (Steiner)
17
3.2.4. Vca Env
18
3.2.5. Enter The Matrix
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3.2.6. Add Effects
20
3.3. Save The Patch
20
3.4. That Was Only Sound A
20
4. Voice Architecture
21
4.1. A Note About Tuning
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4.2. Morph Basics
21
4.3. Vcos 1 And 2
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4.3.1. Similar Features
22
4.3.2. Tune
22
4.3.3. Vco 1
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4.3.4. Vco 2
24
4.3.5. Noise Generator
25
4.4. Mixer
25
4.5. Lfos
26
4.5.1. Lfos 1 And 2
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4.5.2. Lfo 3
27
4.5.3. Unipolar, Bipolar
27
4.5.4. Lfo Sync Division
27
4.5.5. Rate Control For Synced Lfos
28
4.6. Filters
28
4.6.1. Shared Features
29
4.6.2. Vcf 1 (Steiner)
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4.6.3. Vcf 2 (Ladder)
31
4.7. Filter Fm
31
4.7.1. Vco 2 > Vcf 1
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4.7.2. Noise > Vcf 2
31
4.8. Envelopes
32
4.8.1. Envelope Curves
33
4.8.2. Vcf/Vca Velocity Modes
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4.8.3. Envelope Loop Modes
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4.9. Stereo Spread
33
4.10. Fx Routing Selector
34
5. Performance Controls
35
5.1. Wheels
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5.1.1. Pitch
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5.1.2. The Wheel
35
5.2. Octave Buttons
36
5.3. Morphée
36
5.4. Voice/Control Mode Buttons
37
5.4.1. Polyphony
37
5.4.2. Timbrality
38
5.4.3. Wheel Modes
39
5.4.4. Morphée Modes
39
5.5. Glide
40
5.5.1. Glide In Split Mode
40
5.6. Morph Knob
40
5.7. Ribbon Controller
40
5.8. Aftertouch
41
5.9. Expression Pedals
41
5.10. Motion Recorder
42
5.10.1. The Stretch Factor
42
5.10.2. Exceptions
42
5.11. Voice Allocation Modes
43
5.11.1. Polyphonic Allocation
43
5.11.2. Unison / Mono Allocation
44
6. Working With Presets
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6.1. Selecting A Preset
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6.2. Snapshots
45
6.3. Random Patch Generation
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6.4. Panel Mode
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6.5. Saving A Preset
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6.5.1. Quick Save
46
6.5.2. Save To Another Location
47
6.5.3. Use The Polybrute Editor
47
7. Working With Mods
48
7.1. Creating A Mod Route
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7.1.1. Select The Source
48
7.1.2. Assign A Destination
49
7.1.3. Edit An Existing Modulation
50
7.1.4. Modulate A Mod Route
51
7.1.5. Erase All Mod Routes
51
7.2. Mod Source List
52
7.2.1. What Is The Voices Source?
52
8. Sequencer Mode
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8.1. Common Features
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8.1.1. The Home Page
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8.1.2. Hold Mode
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8.1.3. Metronome
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8.1.4. Time Divisions
54
8.1.5. Swing Percent
54
8.1.6. Rate
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8.1.7. Gate
54
8.1.8. The Transport
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8.1.9. Tap
55
8.2. The Arpeggiator
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8.2.1. Arp Home Page
55
8.2.2. Play Mode: Arp
56
8.3. The Sequencer
56
8.3.1. Sequence Playback
57
8.3.2. Live Edits
58
8.3.3. Seq Home Page
60
8.3.4. Play Mode: Seq
61
8.3.5. Sequence Length
61
8.3.6. Real-Time Recording
62
8.3.7. Step Recording
62
8.3.8. The Modulation Tracks
63
8.4. Matrix Arpeggiator
64
8.4.1. Matrix Arp Home Page
64
8.4.2. Polyphonic Arpeggios
65
8.4.3. Approach Notes
65
8.4.4. Play Mode: Matrix Arp
65
8.5. Sequence Management
66
8.5.1. Copy Current Sequence
66
8.5.2. Paste Sequence
66
8.5.3. Paste Sequence And Automation
66
8.5.4. Clear Current Sequence
66
8.5.5. Erase Notes
66
8.5.6. Erase Automation
66
9. Step Record / Edit
67
9.1. What's The Difference?
67
9.2. Overwrite Vs. Overdub
67
9.3. Step Record
67
9.3.1. Enter / Edit One Step
68
9.3.2. Enter / Edit Many Steps
68
9.4. Step Edit: Notes
69
9.4.1. Add / Delete Notes
69
9.4.2. Change The Duration
70
9.4.3. Select A Purple Step
70
9.4.4. Exit Step Edit
70
9.5. Step Record: Mods
70
9.5.1. Enter / Edit One Mod Step
71
9.5.2. Enter / Edit Many Mods
71
9.5.3. Delete A Modulation Track
71
10. Morph Mode
72
10.1. What Is Morph Mode?
72
10.1.1. Morph Vs. Crossfade
72
10.2. The Morph Knob
73
10.3. Morphing With Morphée
73
10.4. Morph And Mod Routes
74
10.5. Morphing Sounds
74
10.5.1. Editing Sounds A And B
74
10.5.2. Morph Utilities
76
10.6. What Can Morph?
77
11. The Effects
78
11.1. Fx Routing
78
11.2. Modulation
79
11.3. Delay
79
11.3.1. Delay Controls
79
11.3.2. Delay Sync Options
80
11.3.3. Delay Filter Options
80
11.4. Reverb
80
11.4.1. Reverb Filter Options
80
12. Settings
81
12.1. Settings Overview
81
12.1.1. Preset Settings
81
12.1.2. Preset / Voice Settings
81
12.1.3. Global Settings
82
12.2. Preset: Voice
82
12.2.1. Voice: Vco
82
12.2.2. Voice: Envelopes
85
12.2.3. Voice: Lfo
86
12.2.4. Voice: Allocation
87
12.3. Preset: Out Section
89
12.3.1. Out: Preset Volume
89
12.3.2. Out: Stereo Modes
89
12.3.3. Out: Modulation Alt Preset
89
12.3.4. Out: Delay Settings
89
12.3.5. Out: Reverb Settings
90
12.4. Preset: Expression Control
91
12.4.1. Expression: Bend Range
91
12.4.2. Expression: Vibrato
92
12.4.3. Expression: Glide
92
12.4.4. Expression: Morphée
92
12.4.5. Expression: Ribbon
93
12.4.6. Expression: Exp1, Exp2
93
12.5. Preset: Preset Info
94
12.5.1. Preset Info: Init
94
12.5.2. Preset Info: Details
94
12.5.3. Preset Info: Generate
94
12.5.4. Preset Info: Sound Designer
94
12.6. Global: Sync
95
12.6.1. Sync: Source
95
12.6.2. Sync: Clock
95
12.6.3. Sync: Metronome
95
12.7. Global: Keyboard
96
12.8. Global: Midi
96
12.8.1. Midi: Channels
96
12.8.2. Midi: Output Dest
97
12.8.3. Midi: Input Src
97
12.8.4. Midi: Arp/Seq Midi Out
97
12.8.5. Midi: Local Control
97
12.8.6. Midi: Program Change
97
12.9. Global: Misc
98
12.9.1. Misc: Compare
98
12.9.2. Misc: Knob Catch
98
12.9.3. Misc: Factory Reset
98
12.9.4. Misc: Voice Auto-Tuning
98
12.9.5. Misc: Ctrl Calibration
99
12.9.6. Misc: Fw Version
100
12.9.7. Misc: Pedals
100
12.9.8. Misc: Sleep Time
100
13. Specifications
101
13.1. Midi Continuous Controller Assignments
102
14. Software License Agreement
104
15. Declaration Of Conformity
106
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